Category: Blogroll

Title: “Long-eared Owl (Art Puzzle) (You Are What You Eat)” – laminated
Artist: Michael Autumn
Life-sized part-handmade, part laser-cut & engraved, two-sided, laminated plywood art puzzle (Limited Edition of 11)

Long-eared Owl – Laminated

This is a partly hand-cut and finished, partly laser-cut & engraved, two-sided, laminated plywood version of my original solid oak, hand-cut & engraved version of “Long-eared Owl (Art Puzzle) (You Are What You Eat)” (see https://michaelautumn.wordpress.com/2023/05/03/long-eared-owl-art-puzzle-you-are-what-you-eat/).

This is the culmination of three years of trying to find an engineering solution to making the incredibly intricate thick oak art puzzles I used to very laboriously (and painstakingly!) cut by hand using an electronic scroll (fret) saw. I tried waterjet cutting (that blasts away intricate areas and requires continuous cuts – totally wrong!). I bought and tried CNC routing (for about six months) with the smallest router bits available – but the bits that had the required diameter (1/32″) kept breaking and couldn’t reliably cut the depth required. And it require cutting at such small depths at each pass that even if the router bits didn’t keep breaking (and the whole job having to be restarted!) then it would have taken literally weeks to complete a single design!

The problem with conventional laser cutting (which I spent the best part of a year trying – with three different bought lasers) is that the deeper the material is, the more power is required – and therefore the wider the laser beam is. This results in an unacceptably wide kerf – gap between cuts. The kerf (gap) I managed by scroll-sawing – was about 0.7mm – which is the minimum I can accept. A laser that can cut through 42mm of plywood would ordinarily have a kerf of well over 1mm. So that is out of the question.

I pondered this dilemma for months, and tried various ideas – none of which worked. Eventually I can up with the idea of not trying to cut such thick material all at once – but to cut it much more finely in several thin layers – and then bond them together. This has (had) a number of issues and challenges in and of itself, however, I’m extremely please and relieved that I worked out solutions to the problems. And when I first produced the first fully acceptable complete version I was on cloud nine for several days…!

Suffice to say that the part hand-, part laser-, cut laminated version of my Long-eared Owl (Art Puzzle), is far more accurate, better fitting, and more reproducible – without causing RSI/hand arthritis! Having said all that, it takes about the same amount of time in total as hand-cutting(!) – about a week for each edition – because of all the part-laser cutting of multiple layers, doing the rear design – and quite a lot hand-finishing. But at least if is much less of a strain on my hands – and infinitely less daunting…!

“Art Puzzle” series

At the risk of stating the obvious, this work is part of my Art Puzzle series. For readers interested, further details can be found at the originating work’s post @ https://michaelautumn.wordpress.com/2020/03/01/guillemot-with-egg-art-puzzle/

Finished photos & videos

Title: “Long-eared Owl (Art Puzzle) (You Are What You Eat)”
Artist: Michael Autumn
Life-sized handmade solid oak jigsaw puzzle (Limited Edition of 7)

Long-eared Owl

The story behind this art piece was to have a free-standing, tactile, life-sized long-eared owl, and to toy with the idea – “You are what you eat“. These birds are ferocious predators (as are all owls) – and will basically eat anything that moves that is smaller than them. They often swallow their prey whole, and regurgitate a large pellet of the undigestible parts – such as bones, teeth, hair, feathers. Indeed, examining their pellets is how ornithologists know so much about what they eat.

I often think about predator-prey relationships – perhaps being a veggie has something to do with this… All animals have to get their energy and material they are made of by consuming specific things – protiens, carbohydrates, and fats. Herbivores obviously get this material directly and indirectly from plants – which is often widely available (they don’t usually eat fats directly, but make them from carbohydrates). However, they usually have to eat a lot of plant material in relation to their size because it is a low concentrated source of food – requiring long, slow, complex digestion. Predators usually don’t eat plants – instead they prefer much more concentrated and complex food in the form of other animals.

I have designed the owl to show that it is literally made of many of the wide variety of creatures that it eats. From the moment of conception – where it starts as a single egg – it literally takes parts of smaller animals – and its amazing body chemistry converts them into material to make (and maintain) it’s growing body – and energy. I used the simple jigsaw-puzzle you-are-what-you-eat metaphor to illustrate this puzzling (pun intended!) transformation of lots of small animals making up an owl.

Owls typically eat 2-4 mice-sized animals per day – so about a thousand a year. Without owls, goodness know how many mice, moles, voles, rats, small birds, newts, etc. there would be…!

(I have to confess this was originally intended to be a tawny owl! I haven’t been lucky enough to actually see a wild long-eared owl, and as I got a long way into designing this piece I felt it would look better with ears – and, of course, a tawny owl doesn’t have visible “ears“… So I thought, okay, I’ll change it to a long-eared owl – they have great “ears” (well they look like ears, but they’re actually not – they’re just tufts of feathers!). The two species are quite similar in many respects – so the change was easy!)

“Art Puzzle” series

At the risk of stating the obvious, this work is part of my Art Puzzle series. For readers interested, further details can be found at the originating work’s post @ https://michaelautumn.wordpress.com/2020/03/01/guillemot-with-egg-art-puzzle/

“Limited Edition” of 7

The phrase limited edition in this case is a bit of a misnomer. These are all individually handmade by me from my original design. I really wish there was, but there is no mechanical or chemical process I know of by which these can be reproduced – like screen printing, lithographs, card puzzles (using a die and jigsaw press), etc. (for more details please see the aforementioned post).

Working photos

Finished photos

Title: “Tawny Owl with Egg (Art Puzzle)”

Life-sized handmade solid oak art puzzle (Limited Edition of 7)

First and foremost I want to mention that the eggs used in my work are not real – for obvious ethical reasons (it is also illegal to take wild birds eggs). They are life-size replicas made of a plaster resin composite and hand-painted – not by me, but by a very reputable leading replica birds eggs maker.

Tawny Owl

Following on from Guillemot with Egg (Jigsaw Puzzle) (see https://michaelautumn.wordpress.com/2020/03/01/guillemot-with-egg-art-puzzle/), I thought I would pay homage to another favourite bird of mine – the Tawny Owl (Strix aluco). These, like all owls, are very mysterious – especially the noctornal ones (which tawnies are) – because they do things the opposite to us: they sleep/rest during the daylight, and come out – and hunt – at night. They are supremely designed and adapted to this lifestyle: they have excellent hearing and eyesight, they fly almost silently, and their hunting strategy is to hunt in the darkness – when other small nocturnal animals think it’s safe to come out…!

Mice, voles, shrews, moles – in fact any small rodent up to the size of a rat – are largely nocternal to avoid daylight predators – like kestrels, buzzards, merlin, sparrowhawks. But while rummaging for food and going about their normal lives – in what they think is the relative safety of darkness – a tawny owl – alerted to their presence by their quiet, but inevitable, sounds – can swoop undetected near to the unwitting little creatures. From close by the tawny can watch their prey’s every move – until they decide to pounce, crush and puncture them with their razor-sharp tallons – and then invariably swallow them whole…

Little birds could be roosting or sleeping in trees or bushes, but if they make any sounds in their sleep – even just quietly snooring or sleep-calling/singing – they are easy game for these owls… Frogs, toads, newts – in fact any small reptile – making any kind of sound at night – are likely to court the deadly attention of a tawny owl. Even fish splashing about at the water’s surface, or in the shallows, are fair game for these owls…

Suffice to say that if it is small and it makes a noise, it is on the menu…! So I thought I would play with this idea and illustrate as many of the small creatures tawny owls eat – as jumbled up jigsaw pieces surrounding the main protagonist. The whole design slightly resembles a huge regurgitated pellet of the tawny owl, and the small prey animals are all jumbled up – like fragments in a pellet.

I like art in the form of a jigsaw puzzle because it is interactive, and by careful design of the shapes and carving on the pieces, I can get the puzzle-solver to look at, and think very carefully about, them – in a way that is simply not possible with non-interactive art. Indeed, someone could look at a piece of art like this and not even notice the small creatures surrounding the main owl – let alone have any understanding why they are there – and why these particular animals. However, trying to solve a puzzle like this is a very different matter – they will definitely think more about what it is they are looking at…!

I have deliberately made the jigsaw puzzle very subtle because Nature is very subtle. These creatures are very difficult to see because of their camouflage and because they mainly come out at night – and it is precisely because they are so difficult to see that the owls rely on the noise they make to home in on them… The puzzle metaphor lets me toy with the idea that these small creatures think they are invisible – or out of harm’s way – but to a tawny owl, in the dead calm of night, their sounds makes them highly visible…

Owls typically eat 2-4 mice-sized animals per day – so about a thousand a year. Without owls, goodness know how many mice, moles, voles, rats, small birds, newts, etc. there would be…! If all the creatures a tawny own ate over the course of its lifetime were put into a 30cm diameter (about the width of this jigsaw puzzle) very tall clear tube – I wonder how high the pile of eaten animals would be…

“Art Puzzle” series

At the risk of stating the obvious, this work is part of my Art Puzzle series. For readers interested, further details can be found at the originating work’s post @ https://michaelautumn.wordpress.com/2020/03/01/guillemot-with-egg-art-puzzle/

“Limited Edition” of 7

The phrase limited edition in this case is a bit of a misnomer. These are all individually handmade by me from my original design. I really wish there was, but there is no mechanical or chemical process I know of by which these can be reproduced – like screen printing, lithographs, card puzzles (using a die and jigsaw press), etc. (for more details please see the aforementioned post).

Working-on photos

Finished photos

Title: “Golden Plover with Egg (Art Puzzle)”

Life-sized handmade solid oak art puzzle (Limited Edition of 7)

First and foremost I want to mention that the eggs used in my work are not real – for obvious ethical reasons (it is also illegal to take wild birds eggs). They are life-size replicas made of a plaster resin composite and hand-painted – not by me, but by a very reputable leading replica birds eggs maker.

Golden Plover

Following on from Guillemot with Egg (Jigsaw Puzzle) (see https://michaelautumn.wordpress.com/2020/03/01/guillemot-with-egg-art-puzzle/), I thought I would pay homage to another favourite bird of mine – the Golden Plover (Pluvialis apricaria). In winter plumage these birds are lovely, but unremarkable. However, in summer plumage they are absolutely stunning. The males are slightly more outstanding than the females, however, both are very distinctive and eye-catching. The spring transformation of the Golden Plover from winter to summer plumage is one of the most extreme, and beautiful, I know of. The word “dandy” comes to mind. They become the most striking of all the waders I know of.

In summer their coal black bellies and faces, fringed with a slim cotton white mantle or fringe, and their “golden” upper parts – are a bold, brilliant sight to behold. But golden they are not! They are “buff”, ochre, or sandy brown – like most wading birds – who feed predominantly on mudflats and shorelines – and thus gain good overhead camouflage – so as not to draw attention to predators such as peregrine falcons, marsh harriers, etc.

To highlight this golden misnomer I thought it would be fun to actually make them golden – 24 carat gold gilt to be precise! Gold is an incredibly beautiful and mysterious metal – mysterious both in terms of its physical properties and appearance, and its hold over us. Gold, with its density of 19.3 (over 19 times that of water), is the absolute nemesis of flight! Gold, with it strikingly bright, mirroring, shimmering sheen – is the nemesis of camouflage!

Migration

In summer Golden Plover breed in the tundra – countries such as Iceland, Greenland, Scandinavia, and northern Russia – where the days are very long indeed – and over-winter in warmer climes – and where there isn’t perpetual winter darkness – such as here in the UK (some go as far south as northern Africa). The migration to and from Iceland is no mean feat for such a small bird. The main bird in the picture is life-sized: they are approximately 20cm tall, and 28cm long. Many bird migrations follow land masses with hops over the shortest water expanses. For example many of our summer visitors, like the warblers, coocoos, hobbys, etc. come from Africa – where the largest stretch of water they have to fly continuously across is the English Channel – a mere 20-odd miles – less than a hour’s flight (the Straights of Gibraltar – the sea hop from Morocco to southern Spain is less than ten miles).

In contrast, the non-stop shortest bird flight distance from Iceland to the UK is 850 miles. Golden Plover can fly at speeds up to 60 mph, but for long distances they are more likely to cruise at speeds more like 40 mph. So the non-stop flight from Iceland to the UK would take them a minimum of 21 hours. To salute this feat I have added an Icelandic reference in the picture – see if you can find it…

“Art Puzzle” series

At the risk of stating the obvious, this work is part of my Art Puzzle series. For readers interested, further details can be found at the originating work’s post @ https://michaelautumn.wordpress.com/2020/03/01/guillemot-with-egg-art-puzzle/

“Limited Edition” of 7

The phrase limited edition in this case is a bit of a misnomer. These are all individually handmade by me from my original design. I really wish there was, but there is no mechanical or chemical process I know of by which these can be reproduced – like screen printing, lithographs, card puzzles (using a die and jigsaw press), etc. (for more details please see the aforementioned post).