Phew! Portfolio submitted to the RCA. Now it is an anxious waiting game…

It didn’t help the fact that the Open Day I decided to go on was the last one of the two-month season – prior to formal applications being required to be submitted (all departments have different Open Day dates because they are sharing the same space and resources). Prior to the Open Day on January 11th, I didn’t even know I wanted to study at the RCA, or whether I would have any chance of being accepted – not having any formal art qualifications. So on deciding that I most definitely did want to study there and that I did have an albeit slim chance of being accepted – this left me three weeks, a), to get my application in by the 22nd of January; b), to get my portfolio together from scratch – and write it up – by the 31st of January; and c), to get paid work to finance the course (if I am lucky enough to be accepted).

I’m guessing, but I suspect most art graduates – the majority of people applying for the MA courses at the RCA? – would already have a portfolio and all the supporting documentation. Of course little old me didn’t even have prints ready (unframed) – and so I had to print them all out (a two-day exercise in itself because they are so large). I decided to submit eight pieces: 6 large-scale digital art works (they are all on this blog), a digital print from a very poor 26-year-old photograph of an oil painting I did when I was nineteen (the only example of a painting I have!); and a black-and-white pen-and-ink drawing I did about twenty-four years ago – to show what, if any, drawing ability I have…

I started some temporary IT consulting contract work last Monday (22nd January – some two hundred miles from where I live) – which left me evenings and the last two weekends to do all my writing up and preparations. So that I can continue with my art and related work while away from home, I ordered an Apple MacBook Pro, Cintiq pressure-sensitive computer screen, and two 500 GB external drives – which thankfully all arrived punctually by last weekend (20th January).

I spent some time making the documentation look professional, with a consistent style and presentation, and included several small detail images to support and illustrate the text. I completed the final print-outs of the documentation this morning, packaged everything up in a huge make-shift portfolio case (portfolio cases aren’t made large enough for my work, so I had to make one from the packaging of some large aluminum honeycomb sheets I purchased last year. It measured approximately 2m x 1.5m x 6cm, or 66″ x 50″ x 2″. I had to cut it down a bit so I could fit it in my wide car, but obviously it had to be wide enough to avoid the folding of any of my larger pieces.). It was with much relief that I personally delivered it to the RCA portfolio room just before midday today (I was taking no chances with postal services).

I probably couldn’t have done a much better portfolio or write-ups. I’ve given it my best shot. Announcements are made by the 2nd March as to whether you have succeeded in getting through to the next interview stage. It’s out of my hands and now it’s an anxious waiting game…

Comments

6 responses to “Phew! Portfolio submitted to the RCA. Now it is an anxious waiting game…”

  1. annie woodford avatar

    Did you get to the next stage ?
    I went to the Royal 25 years ago -fantastic then as it is now. Best of luck if you have been granted an interview.

  2. Michael Autumn avatar

    Hi Annie,

    I’m stilll waiting patiently to hear – it should be any day now…

    It’s nice to hear from a graduate. I had a look at your web site – very interesting work on light. I’d like to delve a bit deeper when I have a moment.

    Just out of interest – how did you hear about me?

    Regards,

    Michael

  3. Ann Morin avatar
    Ann Morin

    Dearest Michael,

    I came across your blog randomly as I searched google for any inspiring stories and/or help about applying to the Royal College of Art. Well, I found one. You. I am curious to know about whether you got in. I am getting ready to apply for the fashion design school with an emphasis in millinery. I am, for lack of a better phrase, scared shitless. I keep hearing about how hard it is to get in. How do you prove to a panel of professors that you know deep down that you have the potential to work hard and succeed? Anyway, I have no idea if you will ever respond considering I am writing this almost a year after your blog. I hope my comment finds you well and busy with fabulous art.
    Thanks for taking the time to read this.
    Best regards,
    Ann

    1. Michael Autumn avatar

      Hi Ann,
      Thanks for your comments. I didn’t get in and I didn’t and won’t apply again – like you’re supposed to. I applied for the MA in Communication Art And Design. At the Open Day, when asked what they were looking for in applicants, the tutors replied they were looking for “a need”, a certain “incompleteness”, “those who would benefit most from being there”. As soon as I heard this I knew I wouldn’t get in – because I am quite clear about my art and aspirations. I think not to select on merit – i.e. the best applicants – devalues the establishment and the value of studying there.
      However, I think fashion design and millinery are much more objective than contemporary art, and I don’t think the Fashion department at the RCA is as pretentious as CA&D.

      You shouldn’t be scared! I don’t think it is hard. There are a certain number of places and they will fill them. They will be over-subscribed by a factor of over ten to one. I think you should just be yourself and show evidence of your skill and passion. There is an inevitably large random aspect to getting in and there is nothing you can do about it, except hope.

      Best of luck with your application, and please don’t think this is the be-all-and-end-all: there are other ways to succeed in life…

      Please let me know how you get on or what you decide to do?

      Best regards,

      Michael

  4. Derek McCrea avatar

    Sorry to hear you did not make it your work is amazing.

    1. Michael avatar

      Hi Derek,
      Probably for the best 🙂

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